Testaments to the Boom Times to Come (Posts tagged HANNIBAL SPOILERS)

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Before I move on to 2x07 in my Hannibal rewatch, I want to talk about Will Graham & Fear for a quick sec! I saw a big pile of discussion on this when I was on mobile in the airport whispering “I’ll be back” as I quick-scrolled through my dash, and sure that was well over a week ago now, but HEY.

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As a good access point to this topic, there seems to be somewhat of a divide on whether or not Will is scared (openly or otherwise) when he’s negotiating with Matty B in the prison hall of shark cages in 2x05. Although Hugh Dancy is a terrific actor, doing some sort of Expression Analysis is always gonna be a bit shifty and subjective, so it’s probably best not to hinge too much on that. Besides, the important thing is surely that while none of us would ever doubt Will’s moments of wide-eyed trembling terror in S1 to be anything but that, here in S2 it is much murkier! So what we can say for certain is that there is a change in how Will is behaving in high-stress situations.

A long time ago, I made a somewhat offhand comment about how I thought Will’s transformation arc over the series might have most to do with how he learns to channel his fear. In early S1, Alana & Jack characterize Will as someone driven by huge amounts of fear, and soon after Will tells Hannibal about the ONLY TIME he feels safe in his horrorful life. Now, I’ve always been one of those Hannibal viewers who saw nerves in Will all the way through the series, but I also think that he goes through a pretty radical transformation in how he manages them. Fear at its sciencey/psychy core comes from “arousal”, or to put it another way before I surely get back to this pun-flexible version before too long, it starts with being keyed up by something. In S1, when Will gets keyed up by a frightening thing (pick yer fave example), he usual goes into a patented Panting Panic™. There are less & less of those moments of overwhelmed fright in S2 and onward, as everyone has noticed — including the other characters. Dr. Bloom’s lines trace this out very well for us, thank you Alana: in 2x01 she tells Jack “Will’s terrified but that’s not stopping him,” but by 2x06 she’s now telling Jack “he’s not scared, not anymore.”

Although I fully agree with Alana that there’s a shift happening, I wouldn’t go so far as to say that Will no longer feels fear at all. Or more specifically, I would say that sensitive high-strung Will Graham still feels something blaze through his nerves when he’s in dangerous circumstances — something that can become fear, or can become something else. “Don’t get scared, get angry” might be the new motto of our incensed dewdrop. I get the idea that Will, pushed to the edge by so many aspects of his life, is learning how to use his fear as a form of energy. Maybe he can’t control how much he’s affected by his surroundings, but maybe he can control what he does with that wild rush in his veins. Maybe it can become something like courage. Something like power.

(Where this gets real fun is when you bring in the misattribution of arousal. If you missed psych 101, there was a gem of a study that managed to convince a whole bunch of undergrad bros that the arousal they felt from walking across a high suspension bridge was in fact that other kind of arousal, directed at the cute girl “distributing surveys.” To put it more generally, it’s possible to alter what we consider to be the source of our keyed up feelings. Actually, I used to take advantage of this when I was an undergrad myself: I’d run up the stairs to the classroom where I had a hard test, so that I could (mis)attribute my accelerated heart-rate to exertion, not nervousness. Anyhow, this is something I’ve definitely laughed/sighed about when considering what Will classifies as scary and what Will classifies as exhilarating, and how & why & in whose company those begin to twine. Especially given the whole “kneaded feelings” situation, my god.)

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Alana Bloom: Invaluable, Immovable

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Okay, I’m going to start this off by acknowledging that Alana Bloom was underserved by the narrative this season. While I liked her arc and her character development, both of those things could have been expanded upon and I think it would have made for a richer story. However, what was presented is good so I’m going to talk about what I liked and hope for more of her next season.

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The first episode of this season is driven by Alana in many ways. We know from last season that Alana Bloom is protective of the people she’s close to, whether she cares about them or simply feels responsibility for them. Remember that she didn’t want Gideon killed last season, not necessarily because she sympathized with him or felt for him, but because she thought she had played an unwitting part in his psychic driving. We also know that she feels very strongly about the ethical responsibilities that professionals and people in authority have towards their patients and the people under them. She took Jack, Chilton, and Hannibal all to task at various times for acting in their own interests instead of those of Will, Gideon, and Abigail, respectively. We open the second season with Alana’s insistence on a formal investigation into the FBI’s (and Jack Crawford’s) treatment of Will Graham. In this she is both trying to get some justice for a friend as well as refusing to let the consequences of misconduct get swept under a rug. She’s not trying to damn Jack or end his career, but neither will she excuse his misuse of authority.

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wellntruly

Always here for talk about my Lady Knight. “The drive to help is a tool pointed on both ends” — oh mannn.

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Anonymous asked:

did we ever find out why chiyoh was protecting hannibal for mischa?

Not explicitly, and so not explicitly that I don’t know if I would have even phrased it as Chiyoh protecting Hannibal FOR Mischa, and not largely for his own sake/fate. Hannibal & his sister are tangled together for her though, which is kinda interested as I’d mostly characterize Chiyoh herself as smoothly independent in most things. I was talking with @confusedkayt a little while back about her and Bedelia as something like True Neutrals on the alignment matrix, manifesting as them being more free from influence than other characters on the show, and involving then un-involving themselves in the main ornate opera narrative on their own terms. And I don’t think Chiyoh’s sense of honor/duty is a contrast to her independence, as I feel it kinda reflects that idea that she’s not as beholden to impulses or rules the way the Lawful or Chaotic characters might be, but to her own rationale.

Anyhow, I haven’t done a ton of thought on this question in particular, more general Chiyoh musings, if anyone else wants to take this up!

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Read these recaps by @wellntruly

So here it is, here’s why Will won’t tell the truth to Alana anymore

wellntruly

#upsetting! #oh alana #kept in the dark for so long #and when she finally recognizes it #she locks herself in with it [starlingshrike]

DAMN.

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I love this process where I make Distressing Observs and then you all ELEVATE THE MATERIAL starlingshrike jessicapava gif(t)s How To Properly Scream: the Hannibal Rewatch Tarra recaps stuff Hannibal Hannibal spoilers

sherlocks-freebitch asked:

"On that note, how on earth would Will have know that Chilton discussed his therapy with Hannibal?" There was a deleted scene where Hannibal confronted Will about Chilton and the recovered memories, and Will had to do some pretty fast talking to allay Hannibal's suspicions. They are whispering to each other through the bars of Will's cell and their faces are so close together and the entire thing is disturbingly erotic. I believe youtube can help out here :)

I’m just so glad I’ve peeps who can help me out with these things! @merchantfan alerted me to this deleted scene last night as well, to which my reaction was, and I quote, “…..WHAT.” Moving beyond the baseline ridiculousness that is the fact that Tarra Wellntruly doesn’t even own the Hannibal DVDs and had never seen the S2 deleted scenes, I was surprised at how dramatically I, an inveterate apologizer, was NOT BUYING this Lost Moment. Dramatically enough that I quickly rambled on to merchantfan about how glad I was that this was cut, and then kept poking at my feelings as I was falling asleep last night, trying to figure out why I was so disgruntled.

My main ISH with it comes down to how it hauls us backward on the path of Will & Hannibal’s relationship, in a way I find to be both a loss and OOC, primarily for Hannibal. To explain to myself in detail why I was balking so hard, I went over all of their scenes together so far this season. Ha ha what a chill decision, me.

The upside to this is that I have never felt clearer about where Hannibal & Will are with each other in early S2? The downside being how much time I spent confirming that an edit was….the right edit. Anyhow if anyone cares about the products of my stewing, my ABSURDLY LONG essay “Why I Think This Scene Was Bogus and Rightly Removed” is after the cut.

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Hannibal Recap + Rewatch: 2x05

wellntruly

**Warning: rewatch blogging written with knowledge of the full series

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“I just… it’s like… a physical manifestation of the way Jack is with Will, maybe? This assumption that he’s allowed power over him because Will is… Not or Other in some way. “

Right, so I actually hated Jack for the first few episodes because of the glasses thing. I still hate that aspect of him, like here he is, coming into the workplace of a guy he barely knows, and deciding that since how an actual adult’s glasses sit on their own actual body is unsatisfactory to him, he should MOVE THEM AROUND WITH HIS HANDS. What the fuck. And the mask thing–Jack could clearly have just unbound Will’s hands and let him get the rest of the restraints off himself? There is not really a need to be manhandling him at this point, he just does, without even thinking he could have done something else. Terrifyingly, the fact that Will has been institutionalized does not change their physical relationship. 

All of Jack’s paternalism make him a very good foil to, actually, Chilton. Chilton, though he is all I’mma-stand-far-away-from-this-cage-I-put-you-in, automatically believes that he is entitled to handle Will’s psyche the same way Jack automatically believes that he is entitled to handle Will’s body. And Jack’s handling of Will’s body is nonsexual but still so terrifying, even as Chilton’s attempts at Will’s mind are so creepily and necessarily sexual. 

The parts of the early show that ping most as horror for me are when Will get touched without consent. It’s so clear that he does not want to be touched, that he does not want the comfort if it means that other humans know he exists, that touch is almost always disregard for his personhood. 

(Which, the strangest part of the show: as the audience learns along with Will that unlike most of everyone he knows, Hannibal thinks Will is people, touch between them becomes tender and weighty and beautiful. And in Mizumono, Will, who is so withdrawn and avoidant, wants Hannibal to touch him. He knows he is walking into a knife, and he wants to be held anyway.) 

wellntruly

Yiiiiiiiiiiikes. Yikes. Yeah. ALL THIS STUFF.

I’m trying to figure out why Chilton doesn’t squick me out as much as he by all rights should, given his actions’ similarity to both Jack and Hannibal’s, who do unnerve me with how they interact with Will. And I think it’s that Will never seems as defenseless when he’s confronting Chilton. He throws Frederick’s smarmy fuckery back at him right from the get-go in S2 (it’s Will who’s always going on about being each other’s “one and only” for instance), and I’ve been noticing in my rewatch how similar this is to him throwing ~intimacy of violence~ back at Hannibal as soon as he’s out of prison. And lo and behold, my deep uncomfyness with Hannibal only kept dropping!

But Will never has the tools to battle Jack’s overbearing physicality, does he, which is probably why that scene had me shrieking under my breath.

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Hannibal Recap + Rewatch: 2x05

**Warning: rewatch blogging written with knowledge of the full series

In case you missed the last one, what we’re doing here is a weird omnibus situation where I’m bouncing between a Full Recap I wrote two years ago while the series was airing, but never showed to anyone besides my best buddy, and Fresh Rewatch Commentary written by the me of today. It’s a little unwieldy! But at least Past Me had an investment in visual punchlines? Thanks Past Me, and also now I have to fight you.

HANNIBAL Recap Novelization - Ep. 205, “Mukōzuke”
Now With **Rewatch Hindsight** 

Breakfast time!

Classical music is playing everywhere, Hannibal is cracking eggs by catching them on the edge of a metal spatula while wearing only a crimson sweater and Will is receiving a tray of prison food while back in his skimpy underthings. It’s my fastest Nope yet. Only 00:01:06 in and I’ve already paused, due the combined attack of V-Neck and Return Of the Boxer Shorts. But I’ve paused on a lovely shot of Hannibal’s crawdad-ful breakfast table, so here’s a cap of that for you.

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Goddamn I’m hungry.

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Ok but seriously this breakfast is so beautiful. If it were Present Me in charge of the recap portion you would be inundated with screencaps of it.

Un-jumpsuited on his mattress, Will is looking smaller than normal (dear you need to eat), gazing forlornly down at the different bits of glop that is his breakfast (oh). Meanwhile, Hannibal is trying to convince Jack that he too needs to eat. No one really wants to eat this morning except Hannibal, who consumes his scrambled eggs with relish. Nothing like a little late-night murderin’ to work up an appetite!! I hate everything.

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The Seventeen girl was trained for making decisions about whom to get intimate with. She rationalised her emotions in terms of ‘needs’ and ‘rights’, and rejected commitments that did not seem compatible with them. She was raised in the Regime of Choice. By contrast, classic Russian literature (which, when I was coming of age, remained the main source of romantic norms in my country), described succumbing to love as if it were a supernatural power, even when it was detrimental to comfort, sanity or life itself. In other words, I grew up in the Regime of Fate.

I’m linking/quoting this not actually to talk about Russia or the West (although Russia is a topic I am super interested in but that’s for another day with more brain cycles) but because it reminds me heavily of a Hannibal (I KNOW) romance discussion that genufa and coloredink … and others? SORRY … were having about how different readers and writers were coming in with clashing models of How To Romance.

(And now I’m like, well, I suppose Hannibal Gothic is not that different from a somewhat less verbose Russian Doorstop, come to think of it, complete with opaque motives and lots of death.)

genufa

Me and Ink and a whole lot of other people, because it’s one of the main sources of bafflement people have with the show – if they believe love is by definition a positive force for individual fulfillment (”Otherwise it’s not really love,” they say). But there’s a reason why the Russian Hannibal fandom is so huge, though “Russian” is as much a synedoche of “people with a solid grounding in pre-1900 literature” as anything.

wellntruly

Oh yeah I’ll swing my whole weight on this, it feels solid. Especially enjoy how, if we carry this entire article through to Hannibal, they’ve cast a psychotherapist as the anti-‘psychological man’, that’s fantastic. Oh, oh and also: the way Hannibal seems suddenly without a script at the moment his divine unreachable Beloved actually reaches back.

Anyhow I’m learning a lot about myself in this moment, and the (previously) unexamined way I’m always describing Hannibal & Will’s love as “doomed”, and not necessarily meaning that’s to be avoided. at least on aesthetic grounds

confusedkayt

YES to the Russian doorstopper model, but I also kind of love Hannibal, Occasional Medievalist, as a Courtly Love kind of guy.  It seems right up his street: religious and erotic imagery all tangled together, genderfluid language (you see courtly love lays referring to [presumably] ladies as “my lord” all the time, which is mostly an old school Cool Girl trope: you’re so great you’re Basically A Man, but hey!).  In fact, lemme just give you my annotations on the Wikipedia bullet list of stages of courtly love, which REALLY influence my feelings about Hannibal, moping around and making Thirsty Scarf Dad valentines:

*Attraction to the lady, usually via eyes/glance [not fond of eye contact are you, Will?  But then we have Sorbet heart-eyes! And basically the whole mess of FEELS-STARING in early s2 and I SEE YOU-ing in late-stage season two]

*Worship of the lady from afar [or, you know, while he is unconscious and/or spouting death threats]

*Declaration of passionate devotion [Su-Zakana, I’m lookin’ at you!]

*Virtuous rejection by the lady [MIZUMONO’D.  Maybe even earlier if you want to crank the timeline back to the S1 finale, but that’s not my jam]

*Renewed wooing with oaths of virtue and eternal fealty [Valentines written on broken men!  Declarations of time and eternity in Dolce!]

*Moans of approaching death from unsatisfied desire (and other physical manifestations of lovesickness) [Poor Bedelia “gets” to hear ALL OF THESE]

*Heroic deeds of valor which win the lady’s heart [Digestivo’d!]

*Consummation of the secret love [Wrath of the Lamb’d…  Maybe even the whole Red Dragon arc]

*Endless adventures and subterfuges avoiding detection [S4?????]

I mean, I’m clearly cherry-picking quite a lot here, but the way that Hannibal is, as you’ve said, “oddly entranced” by his hurt feelings in Italy kind of nudged me onto this track as one way to think about what the hell Hannibal thinks he’s up to.

wellntruly

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