Testaments to the Boom Times to Come (Posts tagged History)

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See, that’s what the app is perfect for.

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Archaeologists believe that the Whale Bone Alley of Yttygran Island, Siberia was built as a shrine and sacred meeting place by the Inuit in the 14th century. At the time, there was a temporary Ice Age that resulted in a prolonged winter, and food shortages that could have led to conflicts between Inuit tribes. Whale Bone Alley may have been the neutral place where they could come together to discuss their problems, take part in sacrificial offerings, and store their meat in the square pits that once existed between the bone walls. 

(Source)

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You know what I love about A Knight’s Tale?

The director, during the director’s commentary, makes a point of informing the audience that the female blacksmith character is historically accurate, and that widows of blacksmiths did in fact take over their late husbands’ blacksmithing businesses in medieval Europe and it was one of the relatively rare circumstances wherein women were permitted to legally run their own businesses in medieval Europe.

This is literally the only historically accurate detail in the entire movie.

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I am 300% behind this EXCEPT it’s actually not the only historically accurate detail!  A Knight’s Tale is, in addition to being anachronistically soundtracked and costumed, a really fabulous example of the medieval tradition of Courtly Love.  The exact language isn’t all the same obviously (the nobles would have been speaking French, probably, and our boys would definitely have been speaking in Middle English most of the time) but the dynamic between Jocelyn and William is spot on.  Courtly Love is the root of where we get most of our modern ideas of romance, and is a tradition nebulously started in France, that spread as French culture spread.  It’s intimately tied to the notion of Chivalry, which applied more specifically to knights, and became pervasive more or less concurrently.  By the 1400s it was well entrenched in all aspects of English noble society, and dictated the way nobles related to each other, to commoners, to knights, and to royals.  In particular, all courting rituals were dictated pretty strictly by the rules of Courtly Love.  The Lover would fall in love with a Lady (usually) of higher rank, often married or otherwise unavailable.  He would then employ wit, charm, and creativity to gain her attention.  He would be expected to think of nothing else, prioritize her above all else, waste away for want of her gaze, obey her every whim… He would write poetry, songs, elaborate letters.  He would yearn for a token of her affection.  He would be transfixed by her gaze, so that if she looked at him he could not physically look away (seriously, look up some of the stories about Lancelot fighting three knights behind his back because he was caught by Guinevere’s eyes, and to look away from her would be fatal).

William falls for Jocelyn before he ever speaks with her.  They then engage in witty banter, wherein she refuses to give him her name, and proves herself both smarter and more genteel than he is.  This is par for the course with Courtly Love.  She doesn’t give him her name until he’s proved himself a bit.  She then makes him prove himself further, “I want you to lose,” and he does it, even though it means both personal embarrassment and physical pain. In the meantime, they engage in more love-talk, both in person and via letters.  I actually can’t think of a better film example of Courtly Love.  It’s well-interpreted for a modern audience, but it sticks to the form like glue.  It’s amazing and every time I watch it I fall more and more in love with that movie.

Also, the jousting is pretty accurate.  They use real jousting rules, and the portrayal of it as a huge spectator sport is obviously played up, but more or less true.  

TL;DR: A Knight’s Tale is a fabulous example of a very well-researched movie adapted for a modern audience.  It preserves all the important bits of Courtly Love, Chivalry, and Jousting, as well as details like women being blacksmiths, and nobody wanting to joust royalty.

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THE WHITE HAT IS REAL. 

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here is my research paper on the history and making of them

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Also gonna add that one of the things I love about this movie is that the name and he inclusion of Geoff Chaucer as a character are a well-duh callback to The Canterbury Tales, but this idea of taking an old setting and some trappings of it and then just throwing in your own cultural values and storylines? Absolutely a thing medieval literature does. Especially Chaucer, especially in The Knight’s Tale.

Like fuck historical accuracy, Chaucer had no concept of what the hell that even meant, so sure Theseus was going to rule like a medieval king even if the story was set in Ancient Greece. The characters are all going to have the same values as the English wealthy for whom Chaucer is writing, because that is what they’ll understand and enjoy. (Much like how we get a rags-to-riches story of a poor squire being more than his birth rank because who loves those stories? A MODERN AUDIENCE THAT’S WHO.) Bits from the source material that don’t make sense to the medieval audience are quietly swept away. They’ll even have a bigass tournament that sounds suspiciously like a jousting match because why the hell not.

I have no idea if this was an intentional inside joke from some literature nut on the production team or just accidental, but I think it’s kind of cool that the tradition lives on in a silly big budget rom com.

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I very much enjoy the style of ignoring strict historical accuracy in favor of trying to get the feel of the time (hence We Will Rock You at the joust, etc.) It gets across to a modern audience the emotions of the time by using media that evokes those emotions in our time, which obviously has changed over the centuries. It works much better than a film which claims historical accuracy without actually adhering to it.

TL;DR go big or go home.

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Originally posted by jaeausten

(Also A+ for not making everything brown and grey; medieval colors could be gaudy as hell.)

p.s. - the aforementioned white hat:

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Originally posted by christeeeeeeny

A Knight's Tale history I do love this one

Jonathan Parks Allen (@Mar_Musa): “This week’s Great War Wednesday features an artifact whose catalog description lists it as the ‘diary’ of an Ottoman soldier named Refik Bey, but which would be better described as a mecmū'a, since it consists of songs, poetry, aphorisms, bits of texts, vocabulary lists, and more. Refik Bey, who evidently fought at Çanakkale and perhaps on other fronts, was captured in 1916 and imprisoned in Egypt, his mecmū'a falling into the hands of a Lt. Col. John Black, eventually making its way to Australia where it now resides (F592, Fryer Library, U. of Queensland)”

Full thread, with link to the library catalog of the notebook with transcription and translation here

the First World War history ephemera big thank you to fursasaida for steering me to this
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Today in James Fitzjames’s journal — icebergs!! And more Goodsir.

29th.— To-day we have had the sea smooth as glass, very cloudy, and a cold air; thermometer 35°; and to my delight passed several icebergs, within a mile of a large one. The effect was very fine, for the horizon happened to be a dark distinct line, and these bergs, catching an occasional gleam of sunshine, shone like a twelfth cake. I had fancied icebergs were large transparent lumps, or rocks of ice. They look like huge masses of pure snow, furrowed with caverns and dark ravines. I went on board the Terror in the evening, for it was quite calm, and found Hodgson better. When we came on board, we pulled up for Goodsir, beasts, star-fish, mud, and shells, from a depth of 250 fathoms, and caught more cod. Last night I remained up till a late hour trying to read a watch by the light of certain blubbers, remarkable jelly-fish, which emit a bright phosphorescent light when shaken in a basin. Land in sign, under dense masses of clouds. We have found the Transport and a Danish brig is close to us.

Franklin expedition polar exploration sea creatures science history The Terror
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“I felt sure that I’d see my name in electric lights before long.”
–Anna May Wong

“Today’s slideshow Doodle celebrates the first-ever Chinese American movie star in Hollywood, Anna May Wong, on the 97th anniversary of the day The Toll of the Sea went into general release, which was her first leading role. Featured in the Doodle slideshow are scenes from her life, including some of her most famous characters from the more than 50 movies she was featured in throughout her career.

The Los Angeles native was born Wong Liu Tsong on January 3rd, 1905. Originally from Taishan, China, Wong’s family taught their children both English and Cantonese. When not at school or in her father’s Sam Kee laundry, Wong began spending her time hanging around movie studios and asking directors for roles, and by age 11, she had chosen her stage name: “Anna May Wong.”

Wong was often overlooked or only offered small roles due to prevailing racial barriers. However, refusing to be limited to or typecast as Asian stereotypes, she moved to Europe in 1928. There, Wong starred in many plays and movies, such as Piccadilly (1929) and The Flame of Love (1930), and was soon promised leading roles in the U.S.”

Read the full piece and check out the slideshow here

this was the first Google Doodle I clicked in a long time Anna May Wong history hello beautiful
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Me: *rolls up to a merchant in ancient Athens on Heelys and sipping a Starbucks*

Me: Yo where’s your horribly dense wine I’ve got coin

Merchant: What on earth are you wearing

Me: It’s called pants.

Merchant: I hate that.

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Me: *struts up to an Inca temple in bright green sunglasses*

Me: Hey guy of knowing stuff what do you know can I see your dead kings

Ancient Inca man: Are you sent from the gods to annoy me

Me: Nope, I’m doing this for free.

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Me: *banging pots and pans in the street in the middle of the Mali empire*

Me: WHERE’S THE SALT???

Random passerby: What is a European doing this far south

Other rando: Yelling about salt apparently.

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Me: *walks into the Song Dynasty with a backpack and a hydro flask*

Me: Hey have you guys invented paper money yet?

Woman washing clothes: What are you talking about? Who are you?

Me: *takes a sip of my Ancient Greek wine I’m keeping in my hydro flask* Do you have paper money?

Woman: I suppose?

Me: Sweet. *walks off*

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Me: *struts onto a Polynesian canoe in a Star Wars t-shirt*

Me: What do you guys eat on these things? Fish?

Sailor: What the f*ck are you and where did you come from we’re in the middle of the ocean

Me: Can I have that fruit

Sailor: No. Absolutely not.

Me: Fair. *jumps overboard with my hydro flask*

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Me: *sitting on top of a building during the beheading of Marie Antoinette*

Me: *pulls a bag of popcorn and some peasant bread out of my backpack*

Roof climbing child: Who are you?

Me: Someone on a roof. *hands them some bread*

Child: Why are you dressed like that?

Me: Because I can.

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Me: *arrives home totally plastered*

Friend: You know you’re supposed to water down that kind of wine right

Me: *throws bread at them* It was the Song Dynasty. I was right. Frick you.

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“They were walking inland, walking the mainland—the nunamariq—‘the real land’. They were a raggedy bunch and their clothing was not well made. Their skins were black and the meat above their teeth was gone; their eyes were gaunt. Were they tuurngait—spirits—or what?” (Towtongie quoted in Eber 2008, xi)

0.5 pages into The Spectral Arctic: A History of Dreams and Ghosts in Polar Exploration and already captivated by a version of The Terror where instead of being hunted by the tuunbaq, the Europeans become the tuunbaq—in the original Inuit tuurngait definition of unbodied “killing” spirits. Because the thematic echo! The white men as the uncanny presence adrift in this land, becoming their own horror, yesss

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Me three days ago: “But actually what I think I like most about the ring is how it shows that The Terror takes place in a closed world, like a terrible snow globe the show shakes periodically. Nothing is really lost in their (Arctic) circle, things come back. The ring, the boots, the body of the drowned sailor, your old wounds your body can’t keep healed anymore. We even found the ships, in time.”

Shane McCorristine: “The Arctic is imagined here as a zone of loss, disappearance and fragility, but also of haunting, uncanny returns and frozen permanence. Stories of Arctic dreams, ghosts and haunting are not just literary decorations: they force us to question who had cultural authority over the Arctic during the nineteenth century. They also help us to make sense of current cultural and political concerns in the Canadian Arctic about the disappearance and reappearance of the Franklin expedition.”

Ho ho cheers I’ll drink to that bro

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260-odd pages later, I have finished The Spectral Arctic [available as an open source pdf here!]

For those curious: the central premise is that western white folks have long found the Arctic dreamy and magical AF, as evidenced by our cultural outputs around the region in general, and the lost Franklin expedition in particular, and I think Professor McCorristine has a point. He does not ever bring up The Golden Compass, but I think that’s probably my personal British ur-text for beautiful polar strangeness.

In the section on contemporary culture (mostly McCorristine focuses on the Victorian), AMC’s The Terror is indeed directly addressed, but as this book went to the publisher before the series aired, the most he can say is that it was recently filmed. Instead he briefly discusses the content of Dan Simmons’s novel the show was based on, mostly in accordance with how it aligns with his interest in a high frequency of clairvoyant activity associated with the doomed explorers. Conversely, I find I do not have so much interest in 19th century clairvoyants! I care about ghosts but don’t really care about mediums, no idea why. Anyway, in The Terror the novel Crozier is apparently something of a psychic, which is not at all a feature that survived in the transfer. But the show is indeed spooky and mystical and I’ve used the word ‘haunted’ like fifty times talking about it, all of which would surely have Shane nodding happily.

Other highlights included:

- Whenever McCorristine would casually refer to white people using the Inuktitut word ‘qallunaat’

- Such as this, which also made me shiver: “The Inuit reported that these qallunaat carried iron, acted strangely and ate human flesh.”

- The reveal that poet Alfred Tennyson was John Franklin’s nephew

- “By the nineteenth century, the records of expedition commanders were supposed to be sober narrations of events, rarely interrupted by references to the author’s body, emotions or passions.”

- When I tipsily texted Emily: “The Bictorians LOL mistype but okay the Bitchtorians did not meet a foreign land they could not mysticize”

- When they were overwintering in the ice, Parry made his men run around the deck while he played a barrel organ, and they got really into it and started to, quote, “frolic among themselves” with “much humour.” Like imagine you’re a chill Inuit just hunting some seals, and you come upon a shipful of pale dudes dancing around to this shit in the middle of winter. I WOULD PEE.

- Enchanting and eerie first-hand descriptions of the dark twilit winter on the ice, the sounds on the still air, the lights glowing

- Finally understanding what McCorristine was saying about reveries: to experience a reverie is to dream the world, and so to experience a reverie in the Arctic is to have the landscape be in you and you in it. To be “drawn in,” as he puts it.

- The explorers who found English footprints and initials carved in rocks near their ship, then realized they were from themselves or other explorers years earlier!!! GHOSTS. A FROZEN PERMANENCE.

- “Indeed, as a spatially hybrid entity, the British Empire itself only really worked as an emotional space.” This is actually pretty straightforward at the bones of it but the phrasing makes me imagine a drunk 19th-c lord slurring “England is like, a state of mind, brothren”

- Perhaps the winner of Most Sincerely What The Fuck: this polar-obsessed man named Snow managed to slip a page from a Book of Common Prayer that had been found in the Arctic under a skull of one of Franklin’s men, into the coffin of Abraham Lincoln

- “Coppin’s young son William often ran to embrace the ghost when he saw her standing near the walls in the house, injuring himself in the process.” This fucking Victorian child running into a wall trying to hug a ghost, I fucking…

- As a medical student Arthur Conan Doyle served as a young ship’s surgeon on a whaler that sailed into the north, and you better believe he wrote a polar ghost story after

- But it was about a hundred years later when those anthropologists discovered evidence of lead poisoning that the Franklin speculative fiction scene exploded

- “On King William Island, Inuit used to say that if you found a white man’s grave, you’d never find it a second time—because it had ghosts around it.” [clipped Justin McElroy delivery]: Fuck.

- You don’t tend to read a lot of call-out posts about Canada’s dubious cultural politics vis a vis its national myth-making, and then Shane McCorristine comes along with some lines with enough dry heat to melt the ice

- Margaret Atwood, fellow Frankophile?? More on This to come

The Spectral Arctic Shane McCorristine The Terror polar ghosts history exploration Franklin expedition
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buying a pintetest-y wall hanging with twee cursive lettering that reads "this place is a message, and part of a system of messages, pay attention to it! sending this message was important to us. we considered ourselves to be a powerful culture. this place is not a place of honor, no highly-esteemed deed is commemorated here. what is here was dangerous and repulsive to us." to hang in my living room

I mean I guess the first meme of 2020 being the radioactivity warning messages does make a kind of sense now that we're here history memes Americana