Testaments to the Boom Times to Come

[Testaments to the Boom Times to Come]

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Ricardo Bofill Leví (5 December 1939 – 14 January 2022)

Ricardo Bofill founded studio RBTA in 1963. Its best-known projects include Walden 7 and the brightly coloured La muralla Roja housing estate in Manzanera.

Other key projects from Bofill’s six-decade-long career include the Les Espaces d'Abraxas housing complex near Paris and, in Spain, the Castell de Kafka and La Fábrica – a repurposed cement factory containing the RBTA headquarters and Bofill’s family home.

More recently, his studio completed the sail-shaped W Barcelona Hotel in Spain and Mohammed VI Polytechnic University in Morocco.

Bofill received a number of awards for his work, including the Ciudad de Barcelona Prize of Architecture for La Fábrica and The Israelí Building Center’s Life Time Achievement Award.

He was also an honorary fellow of the American Institute of Architects and the Association of German Architects.

In tribute to his immense body of work, we revisit La Fábrica, an abandoned cement factory outside Barcelona. 

The colossal (and ever ongoing) project saw the architect transform the existing property into a pioneering studio, with his family’s living space nestled inside.

Photo Salva López / Kristina Avdeeva / Courtesy Of Ricardo Bofill Taller De Arquitectura, Ricardo Bofill, Gestalten 2019

[Testaments to the Boom Times to Come]

[Testaments to the Boom Times to Come]

us.gestalten.com

Ricardo Bofill

Poetic spaces, surreal structures and dramatic visions. The extraordinary career of Ricardo Bofill is collected in this monograph, which reveals his inspiring approach to architecture, and to life.

gestalten

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[Testaments to the Boom Times to Come]

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Espaces Abraxas, Noisy Le Grand, Ricardo Bofill, 1983

THE HUNGER GAMES: MOCKINGJAY PART II (2015)

Capitalising on Post Modernism’s innate potential for scariness, the series finale utilised the surreal spaces of Bofill’s Parisian housing estate. The development also featured in Terry Gilliam’s BRAZIL (1985).

[Testaments to the Boom Times to Come]

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La Fábrica in Barcelona

In the words of the architect Ricardo Bofill:

We found enormous silos, a tall smoke snack, four kilometres of underground tunnels, machine rooms in good shape… This was in 1973 and it was our first encounter with the Cement Factory. This cement factory, dating from the first period of the industrialization of Catalonia, was not built at once or as a whole but was a series of additions as the various chains of production became necessary. The formal result was given, then, by a series of stratified elements, a process which is reminiscent of vernacular architecture, but applied to industry.

Keeping our eyes moving like a kaleidoscope, we already imagined future spaces and found out that the different visual and aesthetics trends that had developed since World War I coexisted here:

• Surrealism in paradoxical stairs that lead to nowhere; the absurdity of certain elements hanging over voids; huge but useless spaces of weird proportions, but magical because of their tension and disproportion.
• Abstraction in the pure volumes, which revealed themselves at times broken and raw.
• Brutalism in the abrupt treatment and sculptural qualities of the materials.

Seduced by the contradictions and the ambiguity of the place, we quickly decided to retain the factory, and modifying its original brutality, sculpt it like a work of art. The result proves that form and function must be dissociated; in this case, the function did not create the form; instead, it has been shown that any space can be allocated whatever use the architect chooses, if he or she is sufficiently skilful.

“Presently I live and work here better than anywhere else. It is for me the only place where I can concentrate and associate ideas in the most abstract manner. I have the impression of living in a precinct, in a closed universe which protects me from the outside and everyday life. The Cement Factory is a place of work par excellence. Life goes on here in a continuous sequence, with very little difference between work and leisure. I have the impression of living in the same environment that propelled the Industrial Revolution in Catalonia.”

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[Testaments to the Boom Times to Come]

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Architect Ricardo Bofill’s Abandoned Cement Factory Residence and Studio