Illustration from the story ‘East O’ The Sun & West O’ The Moon' from 'Round the World Fairy Tales' retold by Amabel Williams-Ellis. Illustrated by William Stobbs.
My version published by Peal Press 1966. First edition Blackie and Son 1963.
The Oseberg Viking Ship Burial
In 1904 a remarkable archaeological site was uncovered at Oseberg, Norway. It consisted of an astonishingly well-preserved Viking ship that contained the remains of two women along with a wide array of accompanying grave goods. This vessel, which is widely celebrated as one of the finest finds of the Viking Age, had been buried within a large mound or haugr.
The burial mound measured approximately 40m long by 6.5m high and it completely covered the boat. The conditions within the mound were particularly damp and this meant that the ship and its contents survived nearly intact. Constructed primarily out of oak planks, the vessel measured 21.40m long by 5.10m wide. Its bow and stern were covered in elaborate carvings, while it contained 15 pairs of oar holes which meant up to 30 men could row the ship as required.
Centrally placed on the ship were the skeletons of two women whose remains had been placed in a specially built wooden tent. One of the woman was in her eighties and this was reflected in the condition of her bones which showed that she had suffered badly from arthritis during her final years. The second woman was younger and had died in her early fifties.The connection between the two women is unclear; it is possible that they were related or more sinisterly represent the remains of a noble woman interred with her sacrificed slave. Indeed, some have speculated that one of the women may be Queen Åsa, the grandmother of Norway’s first king, although this remains unproven.
Radiocarbon analysis of the women’s bones indicated that they died c. 1220±40 and 1230±40 before present and this ties in with the dendrochronology dates from the burial tent timbers, which indicate it was constructed in 834 AD. Other skeletal remains found on the ship included 13 horses, 4 dogs and 2 oxen. It is likely that these represent animals that were sacrificed to accompany the female burials into the afterlife.
The grave was disturbed in antiquity and any precious metals that may have been present were stolen. However, a remarkable collection of wooden and textile artifacts were left behind by the grave robbers. These included four elaborately decorated sleighs, a richly carved four-wheel wooden cart, three beds as well as a number of wooden chests. More mundane items such as agricultural and household tools were also found.
The Oseberg ship and its treasure trove of artifacts are currently on display at the Viking Ship Museum, Oslo, Norway.
Slate presents an amazing, interactive digital version of Olaus Magnus’ 1539 Carta Marina, a chart that portrays the sea as teeming with monsters…
When the chart was made, in the early years of the Age of Exploration, there was a lingering belief in the existence of griffins, unicorns, dragons, the phoenix, the monstrous races, and a host of other unnatural creatures. Modern science was in its infancy. Although adherents to the direct observation of nature would soon challenge hearsay and tradition and begin to classify animal life, at the time the medieval imagination was still free to shape its own forms of the natural world. The chart’s giant lobster gripping a swimmer in its claws, a monster being mistaken for an island, and a mast-high serpent devouring sailors would have represented actual fears of the unknown deep.
Those and Olaus’ other fanciful sea beasts are not mere decorations to fill empty spaces. Nor are they only visual metaphors for dangers lurking in the sea. Intended as representations of actual marine life, they are identified in the map’s key.
Click through to Slate to explore the stories of each creature, and read more on the chart’s origins…
Olaus Magnus’ Carta Marina: Sea monsters on a gorgeous Renaissance map…
