
In one of the more deranged thing I’ve ever written, I discuss Akira Kurosawa’s 1950 cinema classic Rashomon, alongside my 14-years-later revisit of the ‘Rashomama’ episode of the Aughts forensics procedural, CSI: Crime Scene Investigation.

In one of the more deranged thing I’ve ever written, I discuss Akira Kurosawa’s 1950 cinema classic Rashomon, alongside my 14-years-later revisit of the ‘Rashomama’ episode of the Aughts forensics procedural, CSI: Crime Scene Investigation.